Dictionary of the History of Ideas

III. ART: The history of ideas in literature and the arts in aesthetic theory and literary criticism.

ALLEGORY IN LITERARY HISTORY

AMBIGUITY AS AESTHETIC PRINCIPLE

ANCIENTS AND MODERNS IN THE EIGHTEENTH CENTURY

ART FOR ART'S SAKE

BAROQUE IN LITERATURE

THEORIES OF BEAUTY TO THE MID-NINETEENTH CENTURY

THEORIES OF BEAUTY SINCE THE MID-NINETEENTH CENTURY

CLASSICISM IN LITERATURE

CLASSIFICATION OF THE ARTS

SENSE OF THE COMIC

CREATIVITY IN ART

LITERARY CRITICISM

EVOLUTION OF LITERATURE

EXPRESSIONISM IN LITERATURE

FORM IN THE HISTORY OF AESTHETICS

GENIUS FROM THE RENAISSANCE TO 1770

GENIUS: INDIVIDUALISM IN ART AND ARTISTS

CONCEPT OF GOTHIC

HARMONY OR RAPTURE IN MUSIC

IMPRESSIONISM IN ART

LITERARY PARADOX

LITERATURE AND ITS COGNATES

MOTIF IN LITERATURE: THE FAUST THEME

LITERARY ATTITUDES TOWARD MOUNTAINS

MUSIC AND SCIENCE

MUSIC AS A DEMONIC ART

MUSIC AS A DIVINE ART

MYTH IN ANTIQUITY

MYTH IN BIBLICAL TIMES

MYTH IN THE MIDDLE AGES AND THE RENAISSANCE

MYTH IN ENGLISH LITERATURE: SEVENTEENTH AND EIGHTEENTH CENTURIES

MYTH IN THE EIGHTEENTH AND EARLY NINETEENTH CENTURIES

MYTH IN THE NINETEENTH AND TWENTIETH CENTURIES

NATURALISM IN ART

NEO-CLASSICISM IN ART

NEWTON'S OPTICKS AND EIGHTEENTH-CENTURY IMAGINATION

PERIODIZATION IN LITERARY HISTORY

RHETORIC AND LITERARY THEORY IN PLATONISM

POETRY AND POETICS FROM ANTIQUITY TO THE MID-EIGHTEENTH CENTURY

REALISM IN LITERATURE

RHETORIC AFTER PLATO

ROMANTICISM IN LITERATURE

ROMANTICISM (ca. 1780-ca. 1830)

VICTORIAN SENSIBILITY AND SENTIMENT

STYLE IN LITERATURE

SUBLIME IN EXTERNAL NATURE

SYMBOL AND SYMBOLISM IN LITERATURE

TASTE IN THE HISTORY OF AESTHETICS FROM THE RENAISSANCE TO 1770

TEMPERANCE (SŌPHROSYNĒ) AND THE CANON OF THE CARDINAL VIRTUES

SENSE OF THE TRAGIC